At a conceptual level, the project draws on the development of photography in Cuba, starting from documentary photography to the recent impact of New Media on photographic processes. We intend to emphasize action, idea, memory, data and intention as a photograph in and of itself. We see photography in an unprejudiced way, from inside and outside, without fear of breaking or redefining, connecting all the aspects that constitute it; that is, photography as an expression of contemporary art. This project is the result of a collaboration that not only represents our work, but was conceived from an intellectual challenge and creative exercise in common.
Guidelines 1 and 3 were proposed by Nestor Siré and 2 and 4 by Yonlay Cabrera. Guideline 5 was decided between the two.
Technique: Bipersonal show, 5 pieces.
Documentation of Absence.
Technique: Installation, four cell phones, light and sound, distribution of images on various media.
Guideline to which it responds: Present.
Four cell phones were connected together form a system controlled by software. Each cell phone allows you to take a selfie. When it is activated one of them, the four take in unison a photo of the whole space. The system is connected to a server that posts in different media a progression of images composed of all the photos taken, following the scale that maintains the dimensions of the set, but that at the same time progressively reduces the size of the individual photographs.
ESSAY#2_CERTIFIED DOGMA 95 OF CONCEPTUAL PHOTOGRAPHY
Technique: Photocopy of document.
Guideline to which it responds: No Post-production.
Photocopy of the official certificate of Conceptual Photography Dogma 95.
ESSAY#3_COORDINATES AND WATERCOLORS
One Phenomenon, two Interpretations.
Technique: Mixed media on cardboard.
Guideline to which it responds: Photographic Process.
Phenomenon: One of the best known images of Cuba in the whole world is a stereotyped product, oriented to the attraction of tourism.
Yonlay Cabrera begins at the moment just before taking the picture, considering pure information as a form. To do this, he establishes the geolocation coordinates and the visual angle from the specific place from which the photo was taken.
Nestor Siré considers the capturing of images oriented towards tourism. In the same places designated by YC, NS hired watercolor artists who sell their works in Old Havana to capture of place, as a mechanical action of reproduction.
The basic images are five places in Havana that were established taking into account their positioning in the Google image search engines.
Erick Montes de Oca
Yaset Martín Hernández
NS’s idea solved by YC
Technique: Installation, laser stamping on plastic sheets.
Guideline to which it responds: Seriality.
Registration of the names of pirated WiFi in Cuba generated through the use of Connectify software, which sells Internet access (NAUTA_ETECSA) to other users at half the official price.
YC idea’s solved by NS
Technique: Installation, QR and wifi network.
Guideline to which it responds: Value as Information.
Projection of all the metadata (name, URL, size ...), of the photographs included in the Digital Documentation Archive of the Rubén Martínez Villena Gallery of the Office of the Historian of the city of Havana.